I was praying God every second not to take me now," said Hutter. When the house came to a stop it was in the neighbor's yard but Hutter was alive.
The debris-strewn scene from the Woodhaven neighborhood in a populous area just outside Gallatin took many tornado experts by surprise. Often the way deadly storms turn out has more to do with human readiness than nature's atmospheric fault-lines, experts say. "Tornadoes shift around just enough so that the society, the people, get relaxed," says meteorologist Tom Grazulis, director of the Tornado Project in St. Johnsbury, Vt."
As the tornado made its way through Gallatin, the city hit the emergency breakers and shut off the power to the entire town to protect it from fires and explosions. The only sound that could be heard was the wailing of tornado sirens and the scream of ambulance sirens racing to get to the areas most damaged.
My neighbor was killed," said Sarah Ratliff. "She and her 20-year-old son were hiding in a closet and the tornado sucked them out and they landed about a block away in a parking lot. The boy lived but his mother was killed."
When it was over, emergency crews could be seen going through the neighborhoods and placing large spray painted "X's" on the doors of houses that were deemed too dangerous to inhabit.
Nearly 170 homes and eight businesses in Gallatin were damaged or destroyed, said Sonny Briggance, rescue chief for the county's emergency management agency. Several multimillion-dollar homes were pulverized in one subdivision. "I'm amazed we didn't have more fatalities," Briggance said. "Although the number is high, we are still very lucky (Jonsson, 2006)."
When the tornado finally made its way back...
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and
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